This volume includes “The Influence of Nineteenth-Century Anthologies of Celtic Music in Redefining Celtic Nationalism,” by Graham Aubrey; “Breuddwyd Rhonabwy and Memoria,” by Matthieu Boyd; “A Reactionary Dimension in Progressive Revolutionary Theories? The Case of James Connolly’s Socialism Founded on the Re-Conversion of Ireland to the Celtic System of Common Ownership,” by Olivier Coquelin; “The Spiteful Tongue: Breton Song Practices and the Art of the Insult,” by Natalie A. Franz; “Celtic Democracy: Appreciating the Role Played by Alliances and Elections in Celtic Political Systems,” by D. Blair Gibson; “Pendragon’s Ancestors,” by Nathalie Ginoux; “When Historians Study Breton Oral Ballads: A Cultural Approach,” by Éva Guillorel; “Textual and Historical Evidence for an Early British Tristan Tradition,” by Sabine Heinz; “Time and the Irish: An Analysis of the Temporal Frameworks Employed by Sir Henry Maine, Eóin MacNeill, and James Connolly in Their Writings on Early Modern Ireland,” by Heather Laird; “‘And thus I will it’: Queen Medh and the Will to Power,” by Edyta Lehmann; “Judas, His Sister, and the Miraculous Cock in the Middle Irish Poem Críst ro crochadh,” by Christopher Leydon; “Se principen nominat: Rhetorical Self-Fashioning and Epistolary Style in the Letters of Owain Gwynedd,” by Patricia Malone; “Abduction, Swordplay, Monsters, and Mistrust: Findabair, Gwenhwyfa, and the Restoration of Honour,” by Sharon Paice MacLeod; and “Performing a Literary Paternity Test: Bonedd yr Arwyr and the Fourth Branch of the Mabinogi,” by Sarah Zeiser.

This volume includes “Fabricating Celts: How Iron Age Iberians Became Indo-Europeanized during the Franco Regime,” by Aarón Alzola Romero and Eduardo Sánchez-Moreno; “Nations in Tune: The Influence of Irish Music on the Breton Musical Revival in the 1960s and 1970s,” by Yann Bévant; “Ethnicity, Geography, and the Passage of Dominion in the Mabinogi and Brut y Brenhinedd,” by Christina Chance; “Rejecting Mother’s Blessing: The Absence of the Fairy in the Welsh Search for Identity,” by Adam Coward; “Gwalarn: An Attempt to Renew Breton Literature,” by Gwendal Denez and Erwan Hupel; “At the Crossroads: World War One and the Shifting Roles of Men and Women in Breton Ballad Song Practice,” by Natalie Anne Franz; “Apocryphal Sanctity in the Lives of Irish Saints,” by Máire Johnson; “An Dialog etre Arzur Roe d’an Bretounet ha Guynglaff and Its Connections with Arthurian Tradition,” by Herve Le Bihan; “A Walk on the Wild Side: Women, Men, and Madness,” by Edyta Lehmann; “The Early Establishment of Celtic Studies in North American Universities,” by Michael Linkletter; “‘In t-indellchró bodba fer talman’: A Reading of Cú Chulainn’s First Recension ríastrad,” by Elizabeth Moore; “Dream and Vision in Late-Medieval Scotland: The Epic Case of William Wallace,” by Kylie Murray; “‘Some of you will curse her’: Women’s Writing during the Irish-Language Revival,” by Riona Nic Congáil; “Dating Peredur: New Light on Old Problems,” by Natalia I. Petrovskaia; “‘From the shame you have done’: Comparing the Stories of Blodeuedd and Bláthnait,” by Sarah L. Pfannenschmidt; and “‘And there was a fourth son’: Narrative Variation in Cyfranc Lludd a Llefelys,” by Kelly Ann Randell.